In Nlaka’pamux (pronounced ng-khla-kap-mh) country in south-central British Columbia, you can hear coyotes howling in the canyon at night, and glimpse them disappearing into the woods. For the Nlaka’pamux people, coyote is a trickster, using his creativity to transform the world, while rebelling against and disrupting established order.
As a scavenger, coyote is the ultimate survivor, constantly adapting to changing times.
Chris Bose, a photographer, filmmaker, digital storyteller, poet and musician, has a lot in common with coyote.
Living in Kamloops, B.C., Chris is also a creator, rebel, disruptor of the established order and, most of all, a survivor. Chris is from the Nlaka’pamux nation, which means “People of the Canyon,” referring to the B.C. region where the Fraser and Thompson Rivers join.
Through his artwork, Chris wrestles with demons in the form of the traumatic effects of residential school on his parents, aunts and uncles, and how that trauma has rebounded on his generation.
He also criticizes Canada’s policies of forced assimilation, and reflects on issues ranging from Duncan Campbell Scott’s proposal to “kill the Indian in the child,” to Prime Minister Stephen Harper’s official apology for the residential school system.
Until recently, Chris followed in the footsteps of Aboriginal artists like Jane Ash Poitras and Carl Beam, masters of mixed-media collage. He made art by scavenging: collecting objects, photographs, fabric, etc., and transforming them with paint and glue.
In present tense, Chris’ most provocative storytelling medium is digital -- he is a self-taught expert in image manipulation technologies. Using Photoshop, First Cut and other applications, he recreates the effects of the mixed-media collage on a computer screen.